Here we go again.
Oscar time is upon us. Not to belabor the fact that this has been a strange
year……but this year has been exceptionally strange.
I did not see any of this year’s nominees in an actual theater. I hated
it. However, it was not necessarily devastating to the process. The movies have
been streamed and the ballots have been cast. This is me taking a few minutes
to reflect on the Oscar nominees and humbly offer my opinions on said list. A
few years ago, the Academy expanded the number of movies that could be
nominated for Best Picture to 10. This year the voters presumably found 8 movies worthy of the top honor. Unlike a lot of years there really wasn’t a
movie in this year’s class that I hated….Dammit! Conversely, I am not sure there is a masterpiece
of the ages either. Time will tell. Regardless these 8 films are all worthy
and as much as I would love to hate one of them I really can’t.
There are three films that rely heavily on non-actors (real people) to add
authenticity to their story, a modern day Grapes of Wrath, 4 period pieces with
varying emphasis on the period, Hannibal Lecter losing his mind, the first
Asian and the first Muslim Best Actor Nominees, an actor who appeared in The
Black Panther playing an actual Black Panther and Borat playing a serious
role….sort of and one of the more satisfying revenges in a film I can recall.
All these films achieve connecting you with the stories and most importantly
the characters. What else could you ask for? I know. How about popcorn and a
theater and sticky floors and squeaky seats and……but that is for a different column.
These are my
rankings. This is not necessarily what I think is going to happen with the
award. Do not use this list to make bets. You will lose your house. These are
listed in the order that I would vote for them if I had such a vote for Best
Motion Picture. I would love to hear from you and know what you
think.
Promising Young
Woman – No other movie smacked me so
bluntly and so unexpectedly as Promising Young Woman. No other movie surprised
my as much as PYM. Two choices that I just did not see coming. This could have
easily been movie of the month or a slasher horror film or a silly romantic comedy.
Lesser hands could have and would have made this a less consequential film. Instead,
we have a serious examination of one woman’s dedication…even compulsion…for
justice or at least vengeance for her friend. While it is a bit cliché to say
good people have done bad things and bad people have done good things. PYM expands
that and demands accountability for those that did wrong and those that looked
another way…..ourselves included. The story takes a few minutes to find its purpose
and direction. When it does, be careful. That purpose and direction may be coming
to hit you between the eyes.
Minari
Some movies foreshadow their story
so poorly that they become predictable and bore you to death. Some films
intentionally lead you down a path just to drop the floor out from under you.
Those can be fun even if they are ridiculously manipulative. Then on occasion you get a film that is
patient and subtle and deliberate. It engages you with characters and a story
and keeps you interested with the choices and directions as the story unfolds.
On some levels Minari is a standard fish out of water tale. A young Korean
family moves to rural….very rural…Arkansas because the father has a dream of
making his life as a farmer and he has a vision. It would have been easy for the director of
Minari to fall into cinematic tropes of overly aggressive racists or typical cultural
differences. Those stories are important, but they are not this story. The
director slyly uses the viewers built in expectations to suggest tension that
is not even there only to allow the story to develop further without relying on
overused cliches. This is a story of family and struggle. It is a story of
husbands and wives and making a better life. It is a story of trust and
commitment and discovery and most importantly love and eventually
understanding.
Nomadland
Stark , raw, believable and touching.
Nomadland is a movie of its time yet it has the potential of being timeless. It
is also the front runner to win this award. Frances McDormand plays Fern. She
is a modern day Tom Joad devastated by events beyond her control. Where Joad has
his family on a specific destination to the promised land of California, Fern’s
road is more ambiguous but no less desperate and much lonelier. Fern’s is a
continual journey with no goal beyond living. She finds a community along the
way. Other fellow travelers resigned to a life of constant motion and changing
landscapes either by circumstance or self-awareness.
Frances McDormand’s ability to strip any sense
of ego and pretense from her acting serves her so well. There is no sense of “star”
or “privilege”.
She blends into this amazing
life and community seamlessly. The lives and tales of the people she encounters
serves the story. Most importantly it builds in the viewer such a level of admiration
for the perseverance of those who have found this life through choice or more
often through desperation.
Mank
There are few Hollywood legends more juicy
and more famous than the tale of the making of Citizen Kane. Orson Welles commentary
on the corruption of power through his veiled expose of William Randolph Hearst
was and is a masterpiece. It was Welles’ opus. He was 27 and created this
brilliant film where he was the star, the director and the co-writer…….well that’s
where Mank comes in.
Mank was
Herman J. Mankiewicz legendary
screen writer as much for his writing as his drinking and carousing. An amazing
writer, Mankjewicz was known as a script fixer and worked on dozens of projects often
receiving no credit. He was brilliant and funny and bigger than life and a
raging alcoholic whose self-destructive behavior was nearly as legendary has his
talent. He was also part of Hearst’s inner circle. Mank the film is much like
the man himself. It is quick paced, fast witted, extremely smart and entertaining
as hell.
The writing is in his style
with the same brilliant banter and dialogue Mank made his trademark. Shot in a
gorgeous Black and White that stands as such a contrast the to the ever-
present grays of morality in the lives of these men. The parallels to Kane are
not subtle nor are they meant to be. Just like Kane these stories are about men
who may be larger than life, but the real drama and truth only comes once they begin
to comprehend just how small they are.
The Father
If Anthony Hopkins had never played Hannibal
Lecter he would still have been a legendary actor. His bona fides are second to
none. At 83 he would be the oldest actor ever to win Best Actor. He is ridiculously
awesome but set that aside. This is about Best Picture, and The Father immerses
you in a slow, frustrating demise of an otherwise brilliant mind. Adapted from
a stage play The Father attempts to make the viewer feel the anger, fear, embarrassment
and helplessness of someone suffering from dementia.
What you see and what you hear is not
necessarily what you saw and what you heard.
Hopkins’ ability of subtly switching his emotions from elation to
confusion to anger add vital human effect the director needs to tell his story.
You are at times upset, hopeful, sad, offended, surprised, suspicious,
exhausted and eventually resigned to the cruel fate the situation. That comes
as much from the editing and construct of the film as it does from the brilliant
performances by all the cast.
Judas and the
Black Messiah
Few actors
have had a better run in the last several years than Daniel Kaluuya. His
options and choices have been second to none. Judas and the Black Messiah is another
stellar film. Excellent performances top to bottom. The Black Panthers elicit
such extreme emotions across the political and social landscape that this movie
will be completely dismissed by some and overly praised by others just off that
basis alone.
Because of the current
political climate, the film becomes less of a period/historical piece about a turbulent
time in the civil rights movement and more of a direct comparison and parallel
to current struggles in today’s legal and political system.
The more things change. Judas and the Black Messiah gives much deserved depth and dimension to what is all too often
viewed through flat, binary, monochromatic lens.
The Trial of the
Chicago 7 – 
Of all the films
this year ToC7 is one that I will watch again and again. It will probably find
its way to TNT or FX. It has stars, it is an interesting retelling of a famous
trial. It is a grand courtroom drama, and it is just entertaining as hell. Aaron
Sorkin is phenomenal at his job. He fills this already interesting story with
superbly timed dialogue and gives ample opportunities for an absurdly gifted
cast to shine. There is civil unrest, legendary characters, an over-the-top villain
to hate and a group of passionate, albeit colorful, underdogs fighting for
justice. What’s not to like? It is by
far the most commercially friendly of all this year’s selections and I do not
mean that as an insult. ToC7 does not have the built-in cache or artistic
freedom of an indie pic. It works inside stricter parameters and for that may
be a bit more formulaic. However, formulas are formulas for a reason……they
work.
Sound of Metal – In a bit of theme this year is another film
that uses several “non-actors” throughout the story to increase the
authenticity of the story and lets me honest…..save money on salaries. Call me
a cynic. I’ve listed Sound of Metal at the bottom of my list but that doesn’t mean
it is a bad film. To the contrary it is an extremely emotional film and
character study of a man losing what he thinks is his entire life after fighting
so hard to regain a life he had lost before. Riz Ahamed plays a heavy metal drummer
who wakes up one day to find he has lost most of his hearing practically overnight
and probably will lose more. From there the movie reveals his struggles with
addiction and how losing his hearing is also losing a life he had fought so
hard to regain to begin with. This anguish fuels an even greater struggle in
Ruben to refuse the reality he now finds himself and a desperation to hold onto
this life as he knows it even though it is already lost. The acting is devastatingly
good. You truly ache for Ruben and his inability to accept.
So there is the list. 8 really well done films with a broad range of interests, styles, direction and topic. Let me know what you think!!
Of all the films
this year ToC7 is one that I will watch again and again. It will probably find
its way to TNT or FX. It has stars, it is an interesting retelling of a famous
trial. It is a grand courtroom drama, and it is just entertaining as hell. Aaron
Sorkin is phenomenal at his job. He fills this already interesting story with
superbly timed dialogue and gives ample opportunities for an absurdly gifted
cast to shine. There is civil unrest, legendary characters, an over-the-top villain
to hate and a group of passionate, albeit colorful, underdogs fighting for
justice. What’s not to like? It is by
far the most commercially friendly of all this year’s selections and I do not
mean that as an insult. ToC7 does not have the built-in cache or artistic
freedom of an indie pic. It works inside stricter parameters and for that may
be a bit more formulaic. However, formulas are formulas for a reason……they
work. 
